December 2004 Archives

Watching with the girls

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I don't think there is anything that gives me a warm and fuzzy feeling more than settling down on a cold, dark, rainy winter afternoon and watching a funny kid flick with my two little girls (5 and 4). We head downstairs to the home theater, turn down the lights, pull up a warm blanket and fire up the DVD player.

Today it was Pixar's Monster's Inc. [Info] [Buy] from 2001 and we all had a grand time. They both enjoyed the show and I liked it well enough, but just being with my girls and giggling to a silly movie made it all worthwhile. You can read my full review here.

Picking it up on Friday made me realize just how little I missed the Blockbuster video store experience. It being a rainy Friday evening, the place was mob, the shelves were a disaster, the employees harried (even if they kept calling out from the register "Next guest please" - give me a break already!), hardly any movies were around and the crowd was young and noisy. Yeecchh! I've always figured I'd get the hard to find movies from Netflix and pick up the more popular ones that Blockbuster serves up by the dozen locally, but perhaps it is time to change that idea. I'd rather not have to go back in there again, if you ask me! Give me Netflix any day.

I also watched one of my Netflix movies last (Friday) night. In The Bedroom [Info] [Buy] stars Sissy Spacek and Tom Wilkinson as parents of a fresh out of high schooler who falls in love with a much older woman. Set in Camden, Maine, it was an earnest effort, with many Oscar nominations. You can read my review here.

Monsters Inc.

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Monsters, Inc is Disney/Pixar's 2001 smash animated hit about two monsters who get mixed up with (gasp! horror!) a human child from the other side of the door. Voiced by John Goodman and Billy Crystal, you know the two main protagonists are going to be funny, and they deliver the goods!

Sulley (Goodman) and Mike Wazowski (Crystal) are the top "scaring" team working for Monsters, Inc. MI provides the power for Monstropolis, by bottling up the screams of scared children. But close behind the leading team is Randall, who has a nefarious scheme of his own to catch the leaders.

One evening, Sully comes back to the work floor only to discover that a little girl has come the wrong way through the closet door and now threatens all of Monstropolis. See, it is thought that a human touch will contaminate all who contact it and the very fiber of Monstropolis depends on avoiding them. But she is so cute, and quickly becomes attached to Sully, calling him "Kitty", and Sully also comes to adore the little girl.

But now they need to get her back on her side of the door, all the while trying to elude the Child Decontamiation Team as well as the evil Randall and his schemes. Many chases ensue, and, of course, all ends well.

My girls (5 and 4) and I enjoyed ourselves with this movie. I think we all liked Shrek [Info] [Buy] better; for myself, I though Shrek a much funnier movie. Several of the chases in Monsters, Inc. seemed to drag on forever. The door sequence in particular went from cool to clever to tiresome. But the various monsters were all incredibly well animated and of course the picture and color of the film were beyond criticism. The soundtrack by Randy Newman was engaging, and Adrienne especially seemed to like the title song, "If I Didn't Have You".

As has also become the norm for animated movies, there are a ton of extras. And because I rented the movie from Blockbuster (yech), I actually got the second disc (Netflix makes you "spend" another rental to get it). The short, Mike's New Car had Adrienne and I falling all over ourselves laughing, and she also enjoyed the simple game that was on it (find the hot spot where a piece to Boo's door is hidden). So it is a real good movie, although I wouldn't put it in the class of Shrek or either Toy Story.

In The Bedroom

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In The Bedroom is a multi-Oscar nominated picture about love, life and death in the small town of Camden, Maine. Featuring some stalwart performances by both veterans like Sissy Spacek, Marisa Tomei and Tom Wilkinson, as well as relative newcomers like Nick Stahl and William Mapother, it is a solid story about life in a small town when tragedy hits.

Frank Fowler (Stahl) is the only child and budding architect of Matt (Wilkinson) and Ruth (Spacek), just graduated high school with a bright future in front of him, including interviews at some fancy Boston area schools. They live in Camden Maine, a small seacoast communty, where Matt is the local doctor. The one fly in the ointment is that Frank has fallen in love (despite his protestations to the contrary) with Natalie Strout (Tomei), the estranged wife of Richard (Mapother) and mother of two young sons. Richard is part of the canning Strouts, who own a big canning factory in town, but is also something of a hot head.

Frank begins to have doubts about heading off to school and begins to tell conflicting stories about the college interview process to his parents. The parents obviously want Frank to head to a good school, although they like Natalie and her two boys. But this little melodrama is nothing compared to the tragedy that awaits all of them. I'll try not to give too much away; suffice to say, bad things happen to good people, and "revenge is a dish best served cold".

I enjoyed this film, although a couple of things really bothered me. One, and the main thing, was how all the actors strove for that perfect Maine accent. Believe me, I have plenty of relatives born and raised "Downeast Maine" and none of them sound that way. It all sounded like a very Hollywood version of the Maine accent, like they needed extra emphasis (to go with the frequent views of the "Entering Camden" arch) of just how much the action was tied to Maine. It was very grating.

The plodding and stolid storyline was the other main drawback. Every step felt calculated and even the hard to swallow retribution was spotlighted a mile away. It was almost too carefully constructed and a little too neat to mirror real life. And, despite the effort, I still didn't believe the characters would have taken the ultimate step in the end.

The picture was sharp and the cinematography was real solid as well. There were a couple of real interesting shots, but for the most part, the story was told with a steady hand. Maine comes off looking very nice in the summer, with Camden the very picture of New England. I really enjoyed the Red Sox games playing in the background, on the radios all over the place.

One amazing coincidence came up at the end, as the credits scrolled by. The movie was dedicated to the author Andre Dubus, whose story "The Killings" was used as the inspiration. Oddly enough, I am listening to a book on tape of the story "House of Sand and Fog" (later made into a movie itself), and it was written by Andre Dubus III, who turns out to be Andre Dubus' son, who lives right up the road in Newburyport and teaches at local colleges! Very odd how these serendipitous moments come about, isn't it?

Anyway, I recommend this movie as a good rental. The acting was all above average (like the children in Lake Wobegon) and the story engrossing, especially for parents. It really tells a story of how much we have emotionally invested in our children, as scary as that may be.

Hacking NetFlix

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Here's my favorite Netflix blog:

Hacking NetFlix

Netflix Friends

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I see that Netflix has begun a "Friends" feature, that allows you to share your movie list. If you'd like to be added to my friend's list (and vice versa, I guess), please feel free to drop me an email at jdarnold@buddydog.org.

http://www.netflix.com/FriendsLearnMore

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This page is an archive of entries from December 2004 listed from newest to oldest.

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